May 19, 2008
Continental pleasures

The reason I went to Norway last week was to write a feature about the Norwegian Opera House. This fjord-inspired building has attracted much fanfare for its remarkable architecture that allows visitors to walk up and all over the roof of white Italian marble. I received a press ticket to see the Berlin Philharmonic, one of the world’s best orchestras–or so the Internet told me. With a day’s notice to the performance, the first and only thought that raced through my mind was worry about being out of the place at such a high-brow event. All I could do was fuss about cobbling together an outfit out of my backpack of travel wears.

When I arrived, I was surprised to see that the crowd was nowhere as blue-blooded as I anticipated. Yes, the median age jumped by several decades (having worked at a record store I expected this) but it was more like seeing your friend’s Grandma dressed in her sunday best, not feeling inadequate next to Emily Gilmore. There were a remarkable number of people in jeans and sneakers, who didn’t look awkward and weren’t subject to any dirty looks at all. White was the overwhelmingly the wine of choice (to match the building maybe?) and red was all but the pariah’s choice. The theatre critic sitting next to me told me it was an opera thing and that at theatre, red is preferred. My Norwegian friend said it was because of the summery weather and winter saw more consumption of red wine.

As soon as the show started, I became transfixed by the violins. To see all the bows rise and fall in unison and create such a loud, powerful sound without microphones or a sound system was awe-inspiring. Sir Simon Rattle, A-list in the classical celebrity world, conducting with his Einstein-like mane reminded me of that episode of Looney Tunes where Bugs Bunny leads an orchestra through an epic by furiously thrusting his ears. But whatever he did worked. The musicians brought sheet music to life and classical music wasn’t just something I had to spend half an hour a day doing anymore.
If there’s one thing I didn’t learn in the 10 years of piano lessons was how to appreciate classical music. When I started playing at six, I was a few years away from falling headfirst into the world of Hanson and Spice Girls. When I called it quits at 15, it was because I was preoccupied with being “indie” in a town where “indie” means Indian. Classical music was what came out of my Dad’s dusty pile of CDs, a collection that was smaller than my own by the time I was 15. It was the music that my cousins from Vancouver played in competitions that brought them around the world. The first and only time I met them, I was seven and they were staying at our house during a competition. The eldest cousin, who now plays in piano trio in New York City, would practice for hours on the piano my mother saved up to buy me, while I pranced around the living room with a glitter baton in my hand. Playing piano for me was always a perfunctory exercise. It took all the energy I had, or was willing to invest, just to hold down my whole notes and remember to hit the accidentals.
For the first time, I feel like I’m ready to give classical music a chance, as a listener.
posted by vicky at 8:46 pm under Europe, Music, Norway
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